Baseball and Bluegrass with Lonesome River Band

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UNCLE DAVE MACON DAYS PRESENTS
CENTRAL MAGNET SCHOOL’S BASEBALL AND BLUEGRASS WITH LONESOME RIVER BAND
DECEMBER 10TH AT 6:30PM

Uncle Dave Macon Days presents a new series — “Nights of Bluegrass” benefiting Central Magnet School’s baseball program on December 10th featuring the Lonesome River Band and in 2017, February 9th featuring Flatt Lonesome. Both concerts start at 6:30pm. Due to limited seating, book now!

Go to: https://www.eventbrite.com/e/bluegrass-and-baseball-lonesome-river-band-tickets-28761798313?aff=es2

Let’s walk back across time into America’s past. You will find two identifiable features emerging in our culture that are uniquely American: Baseball and Bluegrass. In the hills and hollows of the rural South there were more musicians and athletic talent than you could “shake a stick “at. The rural roots of the South were primed for dual entertainment in the fairgrounds and fields. Out of this atmosphere in the 1930’s and 40’s, Bill Monroe and his Bluegrass Boys propelled their riveting new sound into popularity by introducing each concert with a baseball game –The Bluegrass All Stars—Howard Watts, Chubby Wise, Dave Akeman (Stringbean), and Clyde Moody.

This new musical style was inspired by several influences—European classical, African-American blues and gospel, hillbilly hoedown, and even jazz. With this imaginative promotional idea of playing a baseball game before a concert, Bill Monroe and the Bluegrass Boys were able to propel their new genre popularizing and codifying their music from town to town region by region reshaping America’s musical story into a new creation of its own.

Americans became enamored by the new sound. Alan Lomax once stated this about Bluegrass music. It was, “Folk music in overdrive!” In the early days of the Grand Ole Opry, hoe down bands like Uncle Dave Macon had become an institution in the 1920’s through the 1930’s. Bill Monroe and his Bluegrass music were snatched into the limelight and brought the Opry’s listening audiences to a new level.

By the time that Bill Monroe stepped out onto the stage of the Grand Ole Opry in October of 1939, with his imaginative promotional scheme of featuring baseball games before a concert, the music had been accepted. A new chapter in America’s musical history had begun reshaping country music.

George D. Hay, founder of the Grand Ole Opry, once said, “Uncle Dave Macon with his chin whiskers and gold teeth brought the chuckles and applause. Bill Monroe and the Bluegrass Boys have now found a home on the Opry.”

grand-ole-opry-lonesome-river-bandBluegrass and its unusual sound were poised to affect mainstream American music into the popular culture for decades to come. Once again like in days of old, the blend of baseball and bluegrass are coming together for “Nights of Bluegrass” which will benefit the baseball program at Central Magnet School on December 10thand on February 9th at 6:30pm. The 2016 IBMA award nominee—Lonesome River Band will be featured on December 10th. Since its formation 34 years ago, the Lonesome River Band continues its reputation as
one of the most respected bands in Bluegrass.

In 2016 at the International Bluegrass Music Association awards, there were nominations for: Album of the Year, Song of the Year, and Gospel Recorded Performer of the Year as well as Musicians of the Year in Banjo, Fiddle, Mandolin, and Bass players of the year. The band seamlessly comes together performing their traditional sound that fans have continued to
embrace over the years. Banjo player, Sammy Shelor, has received more notoriety than any other banjo player in history including the Steve Martin prize for “Excellence in Bluegrass” and as 5-time IBMA Banjo Player of the Year. Their most recent album, Bridging the Tradition debuted at #2 on Billboard’s Top 10 Bluegrass charts.

So…..Mark your calendar Saturday evening, December 10th at 6:30pm at Central Middle School, the award winning Lonesome River Band will perform, building on the familiar Bluegrass sound while adding to its bold progressiveness.

Baseball and Bluegrass Nights presented by Uncle Dave Macon Days at Central Magnet will celebrate the thrilling sounds that are a perfect American original.

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Rural Rhythm to Issue Two Rediscovered Treasures

Rural Rhythm to Issue Two Rediscovered Treasures on March 23, 2010
Reno & Smiley with Special Guests Carter and Ralph Stanley “Bluegrass 1963”
Mac Wiseman with special guest, Lester Flatt & Chubby Wise “Bluegrass 1971”

Rural Rhythm Records is very proud to announce the upcoming March 23, 2010 album releases of two first generation bluegrass legends:  “BLUEGRASS 1963” by Reno & Smiley with special guests Carter and Ralph Stanley, and “BLUEGRASS 1971” by Mac Wiseman with special guest, Lester Flatt & Chubby Wise. These are the first two album projects by a new and exciting joint venture between Rural Rhythm Records and Ronnie Reno.  These historic albums will be available for purchase wherever bluegrass music is sold including; Walmart, Amazon, Borders, iTunes, Rhapsody, e-music, County Sales, Music Shed, plus the Rural Rhythm website.

“BLUEGRASS 1963,” produced by Ronnie Reno, is a welcomed treasure for those lucky enough to have seen and heard Reno & Smiley perform on their legendary “Top O’ the Morning” daily TV show in Roanoke, Virginia during the early 1960’s.   This 18 song collection features their long time sideman, The Tennessee Cut-Ups, Mac Magaha on fiddle, John Palmer on bass, guitarist Steve Chapman, plus a young Ronnie Reno on mandolin.  There are fine renditions of their classics like “I Know You’re Married,” “I’m the Talk of the Town,” “Love Please Come Home,” “I Wouldn’t Change You If I Could,” and “I’m Using My Bible for a Roadmap.”

Also featured on the album are guest spots from none other than The Stanley Brothers (Ralph and Carter) performing the classic “In the Pines,” “Nine Pound Hammer,” and Ralph joining Don Reno for a twin banjo workout on “Home Sweet Home.”  A special album highlight is the four-part harmony performance of “Over in the Gloryland” with Ralph & Carter Stanley joined by Reno & Smiley and their full band.  ‘As I look back some 47 years ago when we recorded this, I can’t help but think of my feelings on the music we were playing.  I was 16, playing mandolin in a great band on TV and recording hit records.  I guess I thought all bands sounded and played like Reno & Smiley.  Little did I know I was playing in one of the greatest bluegrass bands of all time.” said album producer, Ronnie Reno.

“BLUEGRASS 1971,” features Mac Wiseman with special guests Lester Flatt & Chubby Wise.  Mac Wiseman has been a very important part of the Country and Bluegrass music scene for many decades recording a tremendous amount of successful albums that have contained a long list of big hits in both genres.  Towards the end of 1970, Mac Wiseman and Lester Flatt talked about teaming up for an album that would re-create the mood and spirit of the late 1940s.  Lester had split acrimoniously from Earl Scruggs, so Lester and Mac began touring and recording together.  During this period, their albums were musically and commercially successful including their album, “Lester ‘N Mac” reaching #42 on the Billboard Top Country Album Chart.

This star-studded bluegrass album was recorded in 1971 at the Renfro Valley Barn Dance in Kentucky during this historic collaborative period between the two.  “BLUEGRASS 1971” gives us a historic treat as these bluegrass legends perform three classic songs together with Lester’s Nashville Grass Band, which included Paul Warren, Josh Graves, Roland White, Haskel McCormick and Johnny Johnson, special guest, Howdy Forrester, and nine classic songs performed with Mac and his band, The Shenandoah Valley Cut-Ups that included: Billy Edwards, Hershel Sizemore, John Palmer, Tater Tate, with special guest Chubby Wise.  Another highlight includes a fiery three fiddle instrumental version of the classic tune, “Liberty,” with Tater Tate, Joe Greene and Chubby Wise.

Rural Rhythm Announces Upcoming CD Releases

Rural Rhythm Records announces some great new CD releases for early 2010.  More to be announced soon!

January 12, 2010  – Randy Kohrs – “Quicksand”

January 12, 2010 – Bill Emerson and Sweet Dixie “Southern”

February 9, 2010 – Michael Martin Murphey “Buckaroo Blue Grass 2″

February 9, 2010 – Brand New Strings – “No Strings Attached

March 16, 2010 – Reno & Smiley with Carter and Ralph Stanley “Bluegrass 1963”

March 16, 2010 – Mac Wiseman with Lester Flatt & Chubby Wise “Bluegrass 1971”

March 30, 2010 – Audie Blaylock & Redline – title tba